Allow me to set the stage:
The stage was set,
From strings to winds,
Percussion at their back.
Trombone scans the audience
Looking for familiar face;
Between strings and lights,
Sees none.
No matter,
Though life-changing it could be:
Now is time to focus,
Now is time to play.
Trombone shifts to euphonium;
Focus, his shadow.
Back to trombone,
Shadow maintained.
Applause over,
Ovations ended,
Instruments
Clear the stage.
Brain out to lunch, shadow stays;
Trombone turns to talk to tuba,
Then bid farewell until next time
The orchestras combine.
Leaving the stage,
To retrieve his shell,
Trombone's brain
Returns from lunch.
"By the way,"
Trombone brain says,
Replaying the recording made
While out to lunch,
"Someone called out,
'Nice job on the trombone!'
While you were talking to the tuba."
It may have been that familiar face.
Already gone from the stage,
And minutes passed,
Trombone
Picks up the pace.
Back on stage,
Putting instruments in case,
Trombone searches remaining audience,
Finds no familiar face.
Trombone leaves
To put all gear
In his car,
Then enters again
In search of that voice,
That face.
Crowd thinned,
It was clear,
The Complimenter
Had left.
Trombone replayed the compliment,
To identify the voice;
Memory obscured by delay
Before the replay.
Time steals clarity,
Memory morphs,
'Til Trombone remembers it
As if compliment was heard when spoken,
Leaving Trombone with the guilt
Of ignoring the Complimenter,
And the effect,
But not the intention.
© 2023 H.K. Longmore
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