Tag Archives: cathartic

Statistically Significant

Author’s note; I wrote this a while back, but decided enough time has passed, that it was time to dust it off and put it out in the visible universe.

Apart so long,
His heart began
A mournful song,
For his tears to gan.

Desire to see her
Once again, intensifies;
Until similar features
Trick his eyes:

Others, he knows,
Are not her,
Yet seem for a moment
They could be.

These hold his gaze
Until at last
He is satisfied
They are too dissimilar.

But it seems
The greater his longing,
The less similar
Another must look;

At what degree of dissimilarity
Will his eyes cease their tricks?
What is the threshold to keep them
Statistically significant?

©2023 H.K. Longmore

Out to Lunch

Allow me to set the stage:
The stage was set,
From strings to winds,
Percussion at their back.

Trombone scans the audience
Looking for familiar face;
Between strings and lights,
Sees none.

No matter,
Though life-changing it could be:
Now is time to focus,
Now is time to play.

Trombone shifts to euphonium;
Focus, his shadow.
Back to trombone,
Shadow maintained.

Applause over,
Ovations ended,
Instruments
Clear the stage.

Brain out to lunch, shadow stays;
Trombone turns to talk to tuba,
Then bid farewell until next time
The orchestras combine.

Leaving the stage,
To retrieve his shell,
Trombone's brain
Returns from lunch.

"By the way,"
Trombone brain says,
Replaying the recording made
While out to lunch,

"Someone called out,
'Nice job on the trombone!'
While you were talking to the tuba."
It may have been that familiar face.

Already gone from the stage,
And minutes passed,
Trombone
Picks up the pace.

Back on stage,
Putting instruments in case,
Trombone searches remaining audience,
Finds no familiar face.

Trombone leaves
To put all gear
In his car,
Then enters again

In search of that voice,
That face.

Crowd thinned,
It was clear,
The Complimenter
Had left.

Trombone replayed the compliment,
To identify the voice;
Memory obscured by delay
Before the replay.

Time steals clarity,
Memory morphs,
'Til Trombone remembers it
As if compliment was heard when spoken,

Leaving Trombone with the guilt
Of ignoring the Complimenter,
And the effect,
But not the intention.

© 2023 H.K. Longmore

The Impact of Therapy on Creative Writing

I often write poetry as a form of therapy. But, I have found in recent months that, some events or feelings for which I would have written a poem, instead I have made a note of it, under a heading “to bring up with my therapist.”

It need not be this way. Longer ago, further back, I would write the poem, and then discuss the poem with my therapist.

One such event that I took to therapy without writing a poem happened at the end of October, after a concert I performed in, involving the delay my brain sometimes has in processing inputs. I talked about it with my therapist at my next therapy session. But as a result, there’s no poem. I’m going to rectify that soon, and will add the link when I do.

Fetal

Curled up in a ball
Wrapped up in a hammock
Swaying in the salty breeze
Saline stained cheeks turn salty red
Red ball dips below the water line

Or, buried in the sand
Naught but head
Protrudes from mock grave
Sand a bearable weight of being
Brings calm to anxious limbs
Deepens once shallow breaths

Huddled ’round a 55 gallon drum
Fire burning low
Fingerless gloves the compulsory style
Company sells tragedy cheap
But Rails sing a compelling song
To be part of the wave

Buried in thoughts of death
Unbidden
He seeks new life

©2021 H.K. Longmore

Iago: Ambushed

Dark the night sky,
Fell, the foul zephyr.
Brackish black water
Broken by two beady eyes.

Iago has returned.

Creeping up the coast,
He seeks to insert himself
Where least welcome is his self;
They’d prefer him to roast.

He hears a patrol
Coming down the lane,
Hides among barrels of petrol;
They’ll not have his mane.

The patrol stops,
Blocking his intended path.
To avoid the cops
He’ll have to subdue his wrath,

And take an alternate route.
Sneaking down a back alley,
He has no time to dally;
When bright lights remove all doubt:

He’s been followed.

Spinning ’round,
He sees the patrol closed in behind;
In front lie the hounds,
He sees he is confined.

“Welcome to my table,”
Greets the queen,
Gesturing to that of fable,
Round and now white and green.

Ambushed.

At the Siege Perilous,
Sits formidable foe:
Sir Galahad looks ready to row.
Iago takes a seat, voice querulous.

“At this table, all you have to say is heard by all,”
the queen instructs.
Iago’s face falls:
This rule his scheming obstructs.

“You are now cursed to always meet at this table,
Every time you set foot upon our shores.
Think not that you are able
To remove this curse from your core.”

His vitriol laid bare,
He tells the reasons
For despair;
But it’s not his season.

“So you have naught but speculation
To lay before this confabulation?
Each of your points in turn countered?”
The queen sees his plan has foundered.

“Then you are dismissed,
Thank your for your time.
Now back into the brine,
Return to the abyss.

You’ll not be missed.”

©2021 H.K. Longmore

Iago, An Interlude

Wounded, I limp back from the shore
Where Iago and I dueled a week before.
Though I see no scabs nor scars,
Infection festers under my skin.

Simple suggestion,
Not banshee wail,
Was his effective weapon.
What cure is there for my ail?

I sought an answer from the sea,
But there was no reply.
I requested knowledge
From the rolling hills,

An answer faint
Floated away on the breeze.
The city streets I pounded,
Pleading for release,

But it was temporary,
Ill effects of Iago’s dart,
Wolf pack of lies
Still closing in around my heart.

There are labors to perform,
So I gather my strength;
Wounds mention but not at length,
Mostly I ignore.

Floating o’er the ether,
Slipping through the speakers,
Dulcet sounds envelop the space.

No siren song luring away,
No piper’s call to come and play;
No healing light in which to bathe.
Naught but work and banter.

Yet it’s what I needed,
It seeps inside;
Finds the wolves,
Turns the tide.

I’m ninety percent there
But the day is done;
I try again the city streets.
Still no cure, but I quicken my pace.

Almost home, bits become current,
Current transduced into a familiar song;
Strength taken from the bridge:

But if you’ve got the angst or you’ve got the ardor
You might faint from the fight but you’re gonna find it
For every challenge could have paradise behind it

Blues Traveler, Stand

Elation finds me
And takes away
The remaining tinge;
My skin feels whole again.

© 2021 H.K. Longmore

Iago

I don’t need a friend turned foe
To spoil my peace of mind.
I have my own Iago
Residing inline.

Over analysis
Takes all that is fine,
Turns it to paralysis
Or removes the spine.

A message viewed,
Then changed just one line,
Becomes a mental feud,
Of relationship fey a sign.

“Especially on days like today,”
Gone from the vine,
Iago says, “You overstayed,
You should just resign.

“Ignore the compliment that still is,
Without that last bit, it’s in decline.”
And with these words of his,
I carve apart some writing time.

Put pen to paper,
Fingers on home row align,
Turn to vapor!
This foul cancer turn benign.

What was skimmed
Weakened the line,
‘Tis why she trimmed:
For a better shine.

Parry, thrust, stab, and slash,
Make Iago withdraw into the brine.
Final push, and with a splash!
Iago’s gone—until next time.

© 2021 H.K. Longmore


Author’s note: I wanted to end this on a positive note, but TBH, Iago will be back. I’ll have to do a part 2 sometime; maybe that will have a happier ending?

100 Reasons

Message wishing well
Remained without reply.
There could be a hundred reasons why,

But only time will tell
Which holds and which are pared away:
Sunny day, she went out to play.

Hearing a bell,
Afraid of for whom it tolls,
She hid beneath a stack of bed rolls.

Still unwell,
Too sick to move,
Too far removed from her daily groove.

Flames to quell,
House now ash,
Batteries drained too fast.

Riding atop a tiger through a dell,
Durga at her side,
She went into the fray and died.

Boarding, she fell;
Now wearing a cone,
Paramedics lost her phone.

Sulphur smell,
Evacuated in haste;
Neighborhood in natural gas encased.

Going through hell,
No desire to talk,
At communication balks.

Overdosed on kale,
Her face turned pale then blue,
The Heimlich no one knew.

Heard a cowbell
On a mountain side,
In pursuit still, ’tis why she hadn’t replied.

The story Occam’s razor sells:
Far less glamorous,
Nothing cadaverous;

Internet is unwell,
Or notifications don’t show
Due to settings overflow.

© 2021 H.K. Longmore

Consignment

He takes the skeleton key from his pocket,
Inserts it into the ribcage,
Rotates the door on its hinges;
Pulls out a treasure.

A beautiful flower
Or a diamond,
Sometimes in the rough,
But always his treasure.

At her request,
He hands it to her:
Leaves of carbon-pulp
Stitched together;

Or bits and bytes,
Traveling o’er wire and glass,
Made visible
By electroluminescence.

She turns to examine it,
But not yet;
There’s a journey ahead
Before she can assay.

He can but watch
As she turns to walk away,
Holding in her hands
His softly beating heart.

© 2021 H.K. Longmore

Unnecessary Risk

Musical pharmacopoeia,
Not available this hour.
Not wanting to turn sweet grapes sour;
Emotions—need to cope with ya.

Powered sled,
Rev the throttle;
Caution fled,
No time to dawdle.

Maximum set
At a hundred and twelve;
Into the snow sled delves.
On myself make a bet.

Minor risk to longevity,
Reach speeds in excess
Of seventy;
Fly over convex sets

Of flakes pressed down,
Softened since dawn.
Purring loud, engine sound
Reveals I’ve left the ground.

But not to fear,
Bring your heart near:
‘Twas sweet gravity won
In my fun in the sun.

I fear I’ve been
Misunderstood;
‘Til clarity is found again,
And all made good,

I cope by taking on
Unnecessary risk.

© 2021 H.K. Longmore

Not pictured: the times I was going over 70 and getting airborne.

Donuts in an Empty Parking Lot

“You seem hesitant.”
The words echo in temporal space.
From squamous to sphenoid,
Thoughts race.

“Go away,” spoken to a notification.
Stirs up memories vague.
Emotional power of the plague,
Positives lean toward negation.

A fact shared
Or omitted—
Scale tared,
Over-analysis committed.

Grief Tantalean
Becomes grief obsess-ean;
Grief Promethean.

Relief
Requires efforts Herculean.
Answers Protean.

Seize seal shepherd
From behind; hold tight
While shapes shift for fright.
At last a voice heard:

“Son of Atreus,
What do you want from me?”
From mental prison to be freed,
To know what will be.

“Son of Atreus,
Why ask me thus?
Better for you not to know,
Not to learn what my mind holds.”

No future glimpse,
No respite from second guesses.
Seek out Tantalus,
Offspring of Zeus and nymph.

Parched tongue and lips
Inquired why, hands on hips.
Swift reply
With heavy sigh:

To drink, and not thirst;
To eat, and be sated.
“Me first,”
Tantalus waited.

Hands a scoop,
Water-soup
Brought to lips;
Fruit of bough
Into mouth slipped.

“You want to do donuts in an empty parking lot,
You want to put an end to over-thought;
To heal from childhood fears,
And teenage years,

“To not have your confidence
Stolen by the thief
Of yester-years’ defeats,
Nor drained by consequence

“Of verbal wounds, real;
Inflicting damage still;
Wounds that change perceive,
When only perception changed, self-deceived.

“You’ll have to wait until it snows.”
But there is another way I know.

© 2021 H.K. Longmore

Tantalus Lookout is to the left of this picture; as in, Diamond Head is visible from Tantalus Lookout.

Schadenfreude

A glance out the window
Revealed a fender bender
And I, I felt mirth?

Again, from inside,
Viewing the street below,
Another’s pain
Curled my lip toward my eye?

Why? What hag has hexed me,
What sorcerer stole my concern,
And left schadenfreude
In its place?

Were sights that brought me joy
Absent too long;
My eyes need to find delight
Some other way?

Numbness crushing my compassion,
Squeezing out my sympathy?

A sight that a month of Sundays past
Brought me to tears,
Now brings but numb tingling
To my limbs, my reins, my heart.

So I take up my schadenfreude,
Since I can’t convince myself
Of my fraud, that I’m happy for you
(Though your happiness I desire over mine).

Copyright © 2017 H.K. Longmore