Tag Archives: desire

Vacant Echoes

Adductors: his vacant stare sees right past
But sees just short of bench where sits some lass
As she works her core, so through to her core
His eyes pierce as some demigod of lore.
Intrigued, she wonders what his eyes might see, 
But his eyes see nothing to bring him vim,
Just another human at the same gym.
Drenched in pensive fluid: wooden bench's salt sea;
Patiently replaying past episodes,
His focus lost in the past—Heaven's odes—
Sees another young woman in his mind:
Dark hair, middle part, bun or tail behind.
Unspoken echoes cloud the mind, her face
Unseen in vacant echoes of the night.

Author’s note: this takes some bits and pieces from an unpublished poem that evolved over the course of about a year. One version of that poem took a dark turn after six or seven stanzas. One version was too much of a “when you know what you don’t know” situation. The most recent version of that poem doesn’t end as hopefully as I would like, though I think it does capture the sentiment of “things are falling apart, no matter what I try to do to hold them together,” or, “this is not how I pictured things would be a year ago” with an unstated “can we go back a year and get a do-over?” I generally liked that poem, but it was maybe too personal, and in some minds, lacking context, could be seriously misunderstood. So, I’ve opted to canabalize that one in favor of other art.

My first attempt at this poem, on the other hand, was the inspiration for Trashed.

Copyright © 2024 H.K. Longmore

Beach Wreck

Author’s note: I initially titled this “#4” because it was the fourth of my “sauna sonnet” series, and I was trying to develop a habit of writing sonnets in the sauna during my post-strength-training sauna sessions. Lest some future historian discover my poetry and chide me for such an unimaginative title, I decided to give it a different name.

Across the distance of days long and dark,
And through fields littered with chords from our past,
Solace seek in knowledge, high water mark,
Try to make joy brought by your grand smiles last.
But it's been so long, the miles fade away,
White sands pass o'er the wings of time, beach-wrecked.
Waves at my feet mock recall of that day,
Digital palms lessen rip tide's effect.
I do not fear the shame of going back,
Nor the possibility I yet lack,
But if I see your face never again
I'll let sands trade sanity for bliss,
Dreaming always of that last parting kiss
We never had, through one lifetime or ten.

Copyright ©️ 2024 H.K. Longmore

Statistically Significant

Author’s note; I wrote this a while back, but decided enough time has passed, that it was time to dust it off and put it out in the visible universe.

Apart so long,
His heart began
A mournful song,
For his tears to gan.

Desire to see her
Once again, intensifies;
Until similar features
Trick his eyes:

Others, he knows,
Are not her,
Yet seem for a moment
They could be.

These hold his gaze
Until at last
He is satisfied
They are too dissimilar.

But it seems
The greater his longing,
The less similar
Another must look;

At what degree of dissimilarity
Will his eyes cease their tricks?
What is the threshold to keep them
Statistically significant?

©2023 H.K. Longmore

Out to Lunch

Allow me to set the stage:
The stage was set,
From strings to winds,
Percussion at their back.

Trombone scans the audience
Looking for familiar face;
Between strings and lights,
Sees none.

No matter,
Though life-changing it could be:
Now is time to focus,
Now is time to play.

Trombone shifts to euphonium;
Focus, his shadow.
Back to trombone,
Shadow maintained.

Applause over,
Ovations ended,
Instruments
Clear the stage.

Brain out to lunch, shadow stays;
Trombone turns to talk to tuba,
Then bid farewell until next time
The orchestras combine.

Leaving the stage,
To retrieve his shell,
Trombone's brain
Returns from lunch.

"By the way,"
Trombone brain says,
Replaying the recording made
While out to lunch,

"Someone called out,
'Nice job on the trombone!'
While you were talking to the tuba."
It may have been that familiar face.

Already gone from the stage,
And minutes passed,
Trombone
Picks up the pace.

Back on stage,
Putting instruments in case,
Trombone searches remaining audience,
Finds no familiar face.

Trombone leaves
To put all gear
In his car,
Then enters again

In search of that voice,
That face.

Crowd thinned,
It was clear,
The Complimenter
Had left.

Trombone replayed the compliment,
To identify the voice;
Memory obscured by delay
Before the replay.

Time steals clarity,
Memory morphs,
'Til Trombone remembers it
As if compliment was heard when spoken,

Leaving Trombone with the guilt
Of ignoring the Complimenter,
And the effect,
But not the intention.

© 2023 H.K. Longmore

Freeway Exit

She glances in her mirror,
She’s taken with what she sees.
At once she feels the need to clean—
A cloth or tissue at hand,
Red light gives time
For her to clean the dash,
Clean the controls,

She tosses her hair,
Checks the side mirror
Lest he is not watching;
And seeing he sees,
Resumes.

She tosses her hair,
Then rinse and repeat,
With a few mirror checks
Thrown in for good measure.

Light turns green,
She sees he sees,
Tosses her hair,
Advances.

Light turns yellow,
She goes through;
Her eyes bid him follow
Despite the red.

Follow he would,
But she is not you.

Silent Witness

She looks to Sir Moon,
Wondering what he’s feeling
She pours out her heart.

Full Spring Moon listens,
Reflected in the river
Beside which he plays.

If He had a mouth,
Sir Moon would surely reply,
Would tell what He knows.

Of what would He tell?
He would sing what the bridge hears,
What the river sees.

The river sees brass,
Its appearance like silver,
Twelve feet, conical.

The bridge hears a song,
Improvised and repeated,
A song from his heart.

Sir Moon would replay
What the concrete barrier
Echoes to the reeds;

What the ducks and geese
Mistake for a lullaby
As they seek out sleep.

But Sir Moon stays mute,
His heart moved by maudlin song
Played to still her heart.

© 2017 H.K. Longmore

Caterpillars for Lunch

I’ve got to stop eating
Caterpillars for lunch.
They keep loitering on my lettuce;
Skulking in my sprouts.

When I put a fork in it,
They race to the back of my mouth.
I try to spit them out,
But they parachute down my throat.

Maybe they crave
Warmer temperatures inside;
Perhaps they thrive
On acid hydrochloric.

But faster development they find,
Until ’round dinner time,
I find I can but barely speak
For the butterflies trying to escape.

©2016 H.K. Longmore

Touché

A touch is made to lamé
With blade épée,
One’s mettle to assay;
Or for swordplay.

Another is to allay
The dread of possible fey—
A rope, not frayed,
A climber to belay.

One touch doth bewray
An attitude blasé
Toward fine bouchée
Or rich pâté

To one’s dismay,
A touch someday
Arises from sashay,
Dress, not step, soigné.

You may find it cliché,
Often child’s play:
A touch to parlay
One browsing goods you purvey.

And though it lacks visé,
This is no hearsay:
Loving touché
Alive through envié,

Becomes not forté
But Woodsman’s wedge doth convey;
On a line partway
Betwixt foray and force play.

Intended to assert revendiqué,
Yet with gentle touché,
A chasm généré
Between source and marqué.

© 2016 H.K. Longmore

Betrayed

When words threaten, threaten to destroy
The secrets you keep in your heart—
Perhaps about a girl, perhaps a boy—

When Double Entendre and Hidden depart,
Torn by some innocent ploy,
Leaving in their place a sting that smarts;

Let not your fortune steal your joy,
Find a new plan, make a new start;
Seek a new muse and remain coy.

© 2016 H.K. Longmore

Protected: A Most Auspicious Start

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In Passing

A brightly-colored bird,
Top half white,
Bottom orange bright,
Flits to and fro in the third.

In the third hour since noon,
A gorgeous bird sings a tune,
Seeking attention from a potential mate;
With desire she’ll sate.

She wins his eye
As he splits his focus
With some hocus-pocus;
Or at least, tries.

She returns to her perch
Not made of birch;
Waiting patiently,
Poised gracefully.

But when he draws near,
He is focused
On another locus,
No time to play, he fears.

He passes by,
And in passing,
He hears her cry
A sound everlasting:

An interjection surpassing mild,
An objection with Eternal Magistrate filed,
Feeling all her charms could not beguile.
Upon hearing, his heart turns about, wild,

But his head controls his feet.
While his blood increases in heat,
His heart tries a compromise to meet;
His head would not be beat.

This was in hour four;
The lovely orange-bottomed bird was seen no more.

©2015 H.K. Longmore

I’m Sorry That Happened

Confusion.
Confusion and hurt reigned
As his words echoed back;
Altered in content,
In timbre, changed.

“No, he just said,
‘I’m sorry that happened to you'”
A higher pitched voice
Had exclaimed.

The gist was the same, the gestures were not.
The deltas puzzled him;
He thought
He was being mocked.

Puzzling, sorrowing;
Sorrowing, puzzling,
He made his way
To his destination.

Along the way a realization hit:
The differences came
Not from mocking tongue,
Nor from unfriendly desires;

A reflection
Of the differences in
Hopes and expectations
Of the direction
Of the conversation.

Soon only the echo remained,
And he wished his could have been the same.

©2015 H.K. Longmore