Tag Archives: introspection

Four Improvs Later…

It was maybe foolish, and ill-advised.
Now my brain won't stop 'till I'm penalized.
Seek solace in song, make air column hum:
Tunes ne'er before played, on euphonium.
Was not enough, I still want time machine
To avoid ill side effects: intervene.
Pluck metal strings o'er resonant wood frame,
With acoustic bass, minor blues tune, tame
My heart and my mind with what-ifs now racked.
But the time is too short to pacify;
And dark images, not yet past grim, fly.
Now to the page the turmoil can be tracked.
Tomorrow I must face the unknown score.
Resolution unknown, check back at four.

Copyright ©️ 2024 H.K. Longmore

The Seven Breaths and a Resolution

A remark made in one place in space-time
Recombines with remark from distant past
And then current situation. Alas!
'Twas enough to make heart a flounder-mime.
Remark was innocent enough, he thought;
No malice, deception, or ill-intent
Could be detected at space-time present.
But the combination made blood run hot.
Social moors dictate none involved should know,
Despite communication's rules; sealed lips
Until through therapist's door he can slip.
Emerges with Seven Breaths Up in tow.
So he tries the seven breaths exercise,
And answers appear to his great surprise.

Copyright ©️ 2024 H.K. Longmore

20 or 35

Author’s note: Is it bad that I mostly wrote this after a bike ride nearly a week ago, with some editing and additions over the next two days, but didn’t post it yet so that I could do final edits in the sauna, so it could belong to my “sauna sonnets” collection?

Twenty

Twenty miles per hour may not seem too fast
When you're accustomed to interstate speeds,
Or when one lane view fills with tractor vast,
Or when an ER visit is your need.
But on road bike, lemonade stand spied,
It gives no time to consider barter;
"Sorry, I didn't bring any money,"
Words lost in the wind? But how I replied.
And on a road bike, familiar face eyed,
It gives no time to consider ardour,
Before the road calls, "attention, Sonny!"
Attempt to determine face I revised.
Future me: be more free with hand waves cast;
Have lemonade cash so sale may proceed.

Thirty Five

Thirty five miles isn't far by car,
By motorcycle, or carbon-based horse.
Road bike though, it raises the bar by force.
I've got lemonade cash for some kids' jar;
Exterior paths of urban lake take.
Lo! A lemonade stand I surely found.
Lemonade downed, to entry point I'm bound.
Exit lake, for a scenic view make; break.
Young dark haired woman on street corner stood.
I stopped, drank, opened snack (just shy of good).
"Here Bennie," she called out to dog just passed.
Her look, voice, familiarity hast,
Dots connect as down walk she runs not fast.
One lesson learned, the other, failed indeed.

Copyright ©️ 2024 H.K. Longmore

Trashed

It was too personal, said far too much.
As for that one, I liked the imagery,
But it had no structure or rhymes as such,
And got no boost for lack of symmetry.
And that one, that one I tried to salvage
But the sands of time have not dulled the pain,
Nor have torrential rains become flame's bane.
So the bit grinder its soul will ravage.
Add to the heap this one I won't retouch;
Not that one, to which I cling: cripple's crutch.
Keep those on dreams that I've yet to obtain,
But let go those that are far too arcane.
Spare those that speak of my little cabbage,
Or of Christian journey telemetry.

Author’s note: i started a poem the other day in which I tried to salvage another that i have no intention of publishing, with a note explaining:

“This takes some bits and pieces from an unpublished poem that evolved over the course of about a year. One version of that poem took a dark turn after six or seven stanzas. One version was too much of a “when you know what you don’t know” situation. The most recent version of that poem doesn’t end as hopefully as I would like, though I think it does capture the sentiment of “things are falling apart, no matter what I try to do to hold them together,” or, “this is not how I pictured things would be a year ago” with an unstated “can we go back a year and get a do-over?”  I generally liked that poem, but often end up having to explain myself to some of my followers, and it was maybe too personal, and in some minds, lacking context, could be seriously misunderstood. So, I’ve opted to canabalize that one in favor of other art.

Ultimately I put that in the WordPress trash, providing the inspiration for this poem.

Copyright ©️ 2024 H.K. Longmore

Cordelia

Oh Tragedy, that binds the tongues
Of those who love best
But can speak nothing;

Nothing more
Than the loquacious praise
Of those who love less.

Remove thy maudlin mask
From thy cheekbones high,
Wash the paint from thy skin—

Reveal thyself!
Let poor Cordelia see
At whose hand she suffers.

Let poor Cordelia see
By whose hand the beloved
Becomes the blind;

And please,
Deliver a message
From me?

Let my beloved know my love,
If from she or I thou dost take sight;
If from sight we are deprived.

©2016 H.K. Longmore

Music Moods and Alternate Views

As I was heading to get dinner after a community orchestra concert, I found myself pondering how I listen to different music depending on my mood, or the mood I want to be in:

Hard rock, usually performed by Australian bands, for when I’m agitated or want to be, or when I care too much, so I’m building a hard wall around my heart to keep me from feeling the pain, in an “I am a rock” way (and yes, I have my books and my poetry to protect me, in case you hadn’t noticed 😉 ).

Jazz for when I’m in a happy-go-lucky mood, or wish I was, or whatever I’m feeling, it’s like water off a duck’s back, and it’s not that I don’t care, but it’s all good, “everything is awesome, everything is cool when [you’ve got that swing]”.

Classical for when I’m at peace inside, or am trying to be, or when I am willing to let my heart feel those feelings that are flowing through me instead of building a levy out of back beats, distortion, and power chords to turn them away from my heart.

As I pondered, and decided on where to get my late dinner, I found myself driving to the place of my most serious accident. I didn’t do my annual pilgrimage on the date of the accident this year, so I figured, “why not?” I usually follow the path I rode my bicycle on, but tonight I came from the other direction. A whisper in my mind said, “Tonight you are the car.” I knew it wasn’t meaning I would hit someone, so I drove the path the car took. As I passed through what must have been the point of impact, I was hit with emotions (I was listening to classical, letting myself feel emotions) I hadn’t anticipated.
Auto-pedestrian accident

Grief, for how frightening the experience was for the driver. Relief, that to the driver, it appeared everything was fine, that despite the force of impact and despite my lack of a helmet, I was not unconscious, I was not comatose, and finally, that I was not dead.

I’ve always considered the miracle it is that I lived through that from my perspective (but of course). But now I realize there was a miracle performed for the driver as well! Tears escaped from my eyelids again, and I was glad I was taking the long way to Kneaders, so perhaps my eyes could merely be moist when I arrived at the counter.Sun shining over trees in park

© 2016 H.K. Longmore

Growth

In years past I oft
Agonized
Over conversations
And situations

That didn’t go as planned—
Botched—
Then wearied family and mates
As I over-analyzed:

“If only I said this,
I should have said that.”
“I wish I hadn’t done this,
I’m sure I should have that.”

I still over-analyze,
But recently reflecting
On recalled responses,
I see a change:

Where before my
Wrenching
Was over how I felt,
The impact on outcomes for me;

My thoughts of “if this,”
My self-lecturing of
“I should have that,”
Have to do with the other:

If I had done this,
It would have helped him feel more comfortable.
If I had said that,
She would have been reassured.

Self-introspection is fun
When you actually grow!
Now to learn from myself,
And help others be comfortable, reassured.

“Let’s talk again soon,” I say to myself.

©2016 H.K. Longmore

Red Eyelids

Bass Clef mid-F, in eighths.
Bass Clef mid-F, final quarter.
Salute completed, we stand.
To the left a head panned.

Those eyes contained
Unmistakable pain.
Pain at my performance?
Pain at my conformance?

The show must go on.

Standing, Bass Clef top line, staccato,
Then drop an octave, staccato; final note.
Applause.
But still the pain gives me pause.

It was the dry throat,
I tell myself.
It was the sloped chair or stage,
I want to believe.

But my lips, not the stage,
Missed the notes.
My finger, not the chair,
Depressed the wrong valve.

Show concluded,
We pack up and depart.
I watch for those red eyes,
But they don’t look at me.

My silence? Unintended;
Trying to fathom
What I cannot see.
Do I misunderstand?

Rough knuckles,
White back of hand,
In close proximity;
Moment in time ever on my mind.

Copyright © 2016 H.K. Longmore

Embuscade

Y at-il communicaton
Lorsque la conversation
Doit passer par un intermédiaire?

Y at-il le respect
Quand une simple plainte
Ne peut pas être géré en personne?

Quand les gens ne me respectent pas assez
Pour me parler de choses que je fais
Cela dérange eux afin

Il me amène près
Pour le sentiment que je devais une fois avant
Vouloir de disparaître.

Parting

Questions

Questions pour from his brain
Into the cup below.
Questions about the coming change.
They pile up and overflow.

Soon the saucer can’t contain;
The queries reach the picot.
Not to worry, they won’t stain;
Though covering the table they go.

Questions pour from his brain
Into the cup below.
But from partaking he’ll refrain,
From the cup he’ll not swallow;

Should he the cup drain,
At the bottom is a plea: “don’t go.”

The Means and the End

Somewhere there are brothers
Who didn’t know how to say goodbye.
They chose to alienate
Rather than shed a tear.

On one occasion, one gave a fist
To his son as a parting gift.
It happened unexpectedly,
In the face, among family and friends.

Another time, the other gave a threat,
Fist held chest high,
Waiting for the right moment;
Begging for the right provocation.

The provocation didn’t come,
In time the fist dissolved into a hand.
So long ago, it seems another time,
Another land.

Withdrawl

Refusing to be provoked,
Another who has difficulty
Deals with imminent departure
Antisocially.

His problem is not the violence of fists,
But the violence of silence,
The hand-to-hand of withdrawing.
He chooses to “drink alone”.

©2015 H.K. Longmore

Protected: A Most Auspicious Start

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Broken

“Have I finally broken you?”
She playfully asks
As they stop in the hallway.
“No, no,” comes his reply;

Long on the vowels,
upward inflection—
As his eyes smile
And his lips break
Into a knowing grin.

He thinks to himself,
“Broken me, yes,
But not the way you wanted,
Not the way you planned.”

© 2015 H.K. Longmore