Tag Archives: love

Desert Seven

Israel, born Jacob, lived in desert heat,
Where at the well he and Rachel did meet.
I sit in sauna heat, thoughts turned to him.
Surely his heart filled with vigor and vim,
As he bargained for Rachel as his bride;
Seven years work, then she'd be at his side.
Fast-forward to appointed wedding day,
Israel finds out too late: he was betrayed.
Leah now his wife; Laban struck new deal:
Another seven for Rachel's hand for real.
Israel now juggles wife and idea:
Courting Rachel while married to Leah.
The solution for Israel was simplex;
The execution by hearts made complex.

Copyright ©️ 2024 H.K. Longmore

Not In

"Are you doing okay?" she asked with caring eyes.
"Yeah, I'm fine," I gave the oft repeated lies.
It was neither the place nor time,
To get into my sorrow, to make saline rivers sublime.
I'll tell the truth, should she again ask, 
When we're homeward bound.
I'll tell her of how sometimes, behind my mask,
I feel I don't belong, I shouldn't be around.
Or perchance I'll let her choose:
Does she want the strong façade
Or the vulnerable truths?
The tender heart, or full bravade?
I won't say something she uttered was the trigger.
But she didn't ask, so I'll stand by my rigor.

Copyright ©️ 2024 H.K. Longmore

Vacant Echoes

Adductors: his vacant stare sees right past
But sees just short of bench where sits some lass
As she works her core, so through to her core
His eyes pierce as some demigod of lore.
Intrigued, she wonders what his eyes might see, 
But his eyes see nothing to bring him vim,
Just another human at the same gym.
Drenched in pensive fluid: wooden bench's salt sea;
Patiently replaying past episodes,
His focus lost in the past—Heaven's odes—
Sees another young woman in his mind:
Dark hair, middle part, bun or tail behind.
Unspoken echoes cloud the mind, her face
Unseen in vacant echoes of the night.

Author’s note: this takes some bits and pieces from an unpublished poem that evolved over the course of about a year. One version of that poem took a dark turn after six or seven stanzas. One version was too much of a “when you know what you don’t know” situation. The most recent version of that poem doesn’t end as hopefully as I would like, though I think it does capture the sentiment of “things are falling apart, no matter what I try to do to hold them together,” or, “this is not how I pictured things would be a year ago” with an unstated “can we go back a year and get a do-over?” I generally liked that poem, but it was maybe too personal, and in some minds, lacking context, could be seriously misunderstood. So, I’ve opted to canabalize that one in favor of other art.

My first attempt at this poem, on the other hand, was the inspiration for Trashed.

Copyright © 2024 H.K. Longmore

Beach Wreck

Author’s note: I initially titled this “#4” because it was the fourth of my “sauna sonnet” series, and I was trying to develop a habit of writing sonnets in the sauna during my post-strength-training sauna sessions. Lest some future historian discover my poetry and chide me for such an unimaginative title, I decided to give it a different name.

Across the distance of days long and dark,
And through fields littered with chords from our past,
Solace seek in knowledge, high water mark,
Try to make joy brought by your grand smiles last.
But it's been so long, the miles fade away,
White sands pass o'er the wings of time, beach-wrecked.
Waves at my feet mock recall of that day,
Digital palms lessen rip tide's effect.
I do not fear the shame of going back,
Nor the possibility I yet lack,
But if I see your face never again
I'll let sands trade sanity for bliss,
Dreaming always of that last parting kiss
We never had, through one lifetime or ten.

Copyright ©️ 2024 H.K. Longmore

Silence, Ye Fears of the Avoidants!

For my sister, who correctly guessed this was inspired by her situation when she read it.

It was smooth sailing when first you two met,
You clicked as random parts of happy dream!
You knew no commitment, to make you fret
Or stare down the dream, in eyes a harsh gleam.
But something made it real, took scene from seams
Of dream; into realms of possible let.
Reality, to your head a hard beam,
Or in your eye it makes vision all wet.
Now your system's in fight, flight, fawn, or freeze.
To confront your fears, excruciating.
To run away, not look back, it's a breeze.
Break-up could be ameliorating.
The solution's not terse, won't fit in verse.
Confront fears, or worse, relation in hearse.

Copyright ©️ 2024 H.K. Longmore

Ancient Discovery

Author’s note: this one has been sitting around in my drafts collecting dust. While I work on my next post, I thought I’d blow that dust into the wind.

Discovered by man anciently
Holds the anthropologist;
Robert Frost believes
The world will end with this.

Bono sings of one unquenchable,
While Billy Joel wails, “we didn’t start it,”
And Natalie acknowledges
This house is by it consumed.

Many have been notable,
Including Chicago and Rome,
Blame laid on the cow and the Christians.

Always accompanied by heat and light,
A tool to cook and sanitize,
A weapon to destroy.
Useful for filling urns,
Required for a pyre.

Often made a metaphor
For love and hate alike

Peter Garrett sings of beds acquainted with it,
As well as something
Twenty times as hot
As the hottest stuff in Gehanna.
But there may be some thing hotter still.

Copyright © 2023 H.K. Longmore

Statistically Significant

Author’s note; I wrote this a while back, but decided enough time has passed, that it was time to dust it off and put it out in the visible universe.

Apart so long,
His heart began
A mournful song,
For his tears to gan.

Desire to see her
Once again, intensifies;
Until similar features
Trick his eyes:

Others, he knows,
Are not her,
Yet seem for a moment
They could be.

These hold his gaze
Until at last
He is satisfied
They are too dissimilar.

But it seems
The greater his longing,
The less similar
Another must look;

At what degree of dissimilarity
Will his eyes cease their tricks?
What is the threshold to keep them
Statistically significant?

©2023 H.K. Longmore

Love Feels No Burden

Another quote from Criminal Minds. Season 6,Episode 6, final quote:

Love feels no burden, thinks nothing of its trouble, attempts what is above its strength, pleads no excuse for impossibility, for it thinks all things are lawful for itself, and all things are possible.

Thomas Kemp
Quote

Sacredness in Tears

Each episode of Criminal Minds has a quote near the beginning and the end of the episode. Here’s Season 5 Episode 11’s ending quote:

There is a sacredness in tears. They are not the mark of weakness, but of power. They are messengers of overwhelming grief and of unspeakable love.

Washington Irving

Beans – an Elegy

Oh to have your plaintive voice
Interrupting our virtual meetings again.
Those expressive meows, your speech with humans,
To distract and entertain once more.

But your cuddly, soft paws
will pounce on the keyboard no more.
Your sentinel spot, standing watch o’er your human,
lies vacant.

Thou eater of cat grass,
which took a week to grow
Thou master of the bowls,
so earning the pride of human souls,

Into the night you’ve gone,
Walked on through that door—
Fare thee well, until we meet once more.

© 2021 H.K. Longmore

Freeway Exit

She glances in her mirror,
She’s taken with what she sees.
At once she feels the need to clean—
A cloth or tissue at hand,
Red light gives time
For her to clean the dash,
Clean the controls,

She tosses her hair,
Checks the side mirror
Lest he is not watching;
And seeing he sees,
Resumes.

She tosses her hair,
Then rinse and repeat,
With a few mirror checks
Thrown in for good measure.

Light turns green,
She sees he sees,
Tosses her hair,
Advances.

Light turns yellow,
She goes through;
Her eyes bid him follow
Despite the red.

Follow he would,
But she is not you.

Silent Witness

She looks to Sir Moon,
Wondering what he’s feeling
She pours out her heart.

Full Spring Moon listens,
Reflected in the river
Beside which he plays.

If He had a mouth,
Sir Moon would surely reply,
Would tell what He knows.

Of what would He tell?
He would sing what the bridge hears,
What the river sees.

The river sees brass,
Its appearance like silver,
Twelve feet, conical.

The bridge hears a song,
Improvised and repeated,
A song from his heart.

Sir Moon would replay
What the concrete barrier
Echoes to the reeds;

What the ducks and geese
Mistake for a lullaby
As they seek out sleep.

But Sir Moon stays mute,
His heart moved by maudlin song
Played to still her heart.

© 2017 H.K. Longmore