Tag Archives: consequence

April Fool?

Author’s note: this was written 01 April 2015. I mention this only so the phrase “this day” is more easily understood.

A memory,
Somewhat faded now;
It happened on this day
Some years ago.

An aspirate tied to vibrating vocal chords;
Next, the tip of her tongue
On her superior alveolar ridge soared,
Air passing through her nose from her lungs.

This was not the end,
Only the middle.
I give you no riddle:
To utter a glide her tongue did bend.

No palatal approximant in her head,
She expressed instead
An anglicized Greek upsilon,
A fine sound to end on.

And thus his name
Passed o’er her lips;
Each utterance that o’er them slipped
Increased her power to tame.

©2015 H.K. Longmore

Backup Plan

She needed a backup plan
In case what she really wanted
Started to look a little wan.

He wouldn’t change his current plans;
As long as she was working on her backup man,
He would have to resist, ignore as she did fawn.

And so she needed a backup plan.

©2015 H.K. Longmore

In Passing

A brightly-colored bird,
Top half white,
Bottom orange bright,
Flits to and fro in the third.

In the third hour since noon,
A gorgeous bird sings a tune,
Seeking attention from a potential mate;
With desire she’ll sate.

She wins his eye
As he splits his focus
With some hocus-pocus;
Or at least, tries.

She returns to her perch
Not made of birch;
Waiting patiently,
Poised gracefully.

But when he draws near,
He is focused
On another locus,
No time to play, he fears.

He passes by,
And in passing,
He hears her cry
A sound everlasting:

An interjection surpassing mild,
An objection with Eternal Magistrate filed,
Feeling all her charms could not beguile.
Upon hearing, his heart turns about, wild,

But his head controls his feet.
While his blood increases in heat,
His heart tries a compromise to meet;
His head would not be beat.

This was in hour four;
The lovely orange-bottomed bird was seen no more.

©2015 H.K. Longmore

Biological Upgrade

I got an eye upgrade today:
A new model
With anti-tear capabilities.

It was fast to install,
Only took ten seconds.
I almost can’t tell the difference.

Almost.

The firmware is version 1.0.
You know how the first version goes.
There’s always some rough spots.

No, no spots on my eyes.
But the anti-tear capabilities
Haven’t been perfected yet:

If I want to let them,
The tears will still fall.
There’s no override;

I can’t set it to “No Tears,”
And have the setting stick,
Ignoring what e’er may come next.

Also, the anti-tear module
Requires a steady input
Of hard rock to function properly.

But so far
My ducts are dry.

©2015 H.K. Longmore

A Sincere Comment

A sincere comment,
Misunderstood,
Does little to no good

When the person meant to smile
Is gone for a while,
Perceived insult to lament.

©2015 H.K. Longmore

Virtual Needle

“Have a good night,”
I say cheerfully.
Silence.

Again.

I sit down at my desk
And think to myself,
“My current playlist—Ophelia—
Is insufficient for the hour.
Where is the one
I created a year ago,
For an occasion much like this?

Ah, there it is, right below
Cryogenically freeze your heart and
Don’t leave your heart in a hard place:
Essential Oils for the Silent Treatment.”
I put the virtual needle on the record
And apply my musical pharmacopoeia;
Unsure of how my heart will emerge:
Frozen, hard, or healed.

©2015 H.K. Longmore

The Hardest Prayers

Some may think it kind
To pray for others success.
But one may come to find
In that prayer, distress:

He wishes her success in her goals,
He prays fervently for it, but there’s a toll:
Much to his dismay,
Her goals will take her away.

Can he secretly hope she fails,
While praying she gets that letter in the mail?
No, ’tis selfish, ’tis not love.
He’ll send a unified message above.

Each time her departure is spoken of,
Part of his heart withers,
And though it goes against his druthers,
He’ll hope for that which sorrow comes of.

©2015 H.K. Longmore

My Captor

There’s a song playing so softly
It must be coming from far away.
But it’s coming closer, getting louder.
I can neither draw nearer nor flee.

I am a captive; I am not free.
There is no iron filled with gun powder,
Nor chain about my neck that makes me stay.
The song continues, on the air wafting.

Louder, nearer, then stopping; a new song
Plays, and with increase is the volume changed.
Out of fear I want to escape;
Fear the approaching song will tear me from my dreams.

So loud, so close I want to scream.
I push off the cloth with which I am draped.
I face the captor who has me chained,
And break free to prove I am strong.

I leave my captor behind,
Covered in fluffy cotton and goose down.

©2015 H.K. Longmore

Give people high fives just for getting out of bed. Being a person is hard sometimes.

Vote on what my next post should be (expires in 1 day)

Discontent of Fabrications

Newly married man;
Wife made best meal she knew how.
Husband loved: a lie.

Stomach, day by day,
His repulsion enduring,
Same meal he received.

Stopped with honesty:
He cared not for it, never.
Served that meal no more.

Waxing didactic,
Say not, “I like” when not true,
Lest you reap encore.

Regarding a meal,
Natural pigmentation hid
By purple or red,

Movie or series,
Favorite sport or hobby;
Say not, “yea”, if “no”,

Lest thy discontent
Of thy fabrication born,
Fill eyes with sorrow.

©2015 H.K. Longmore

The Cupboard in the Corner of My Atrium

My Atrium is no ordinary shop:
No wares are peddled,
We don’t do consignment,
There’s no cash behind the counter.

Here behind the fence
Of my serous pericardium,
You’ll find, if you request,
Emotions—free of charge.

But if you want an emotion
From my Atrium,
You’ll have to step up;
Step up to the counter and ask.

But if you want jealousy,
We’re fresh out.
Well, that’s not right:
We no longer stock it.

Jealousy is messy,
It gets in the cracks,
Turns the grout green,
Stains white things black.

Jealousy does not produce
Manliness nor masculinity;
Those are both best
Grown internally.

So when we find
A trace of jealousy
On the floor
Or oozing down the stairs

We fetch the mop
From the cupboard
In the corner
Of my Atrium.

So, what will you have?
What will it be?
You’ll have to step up to the counter
And make it known.

If you’d rather get your fill
From some other,
That’s your choice.
There are other customers at my till.

But the portrait I painted
While you stood outside
Window shopping
Is etched into the wall.

And there it will remain—
Whether you give your wants a name,
Or never come to my counter again—
In the middle of my Atrium.

Now, where’s that mop?

©2014 H.K. Longmore

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